Issue 2

Beauty

When I was a young photographer I was uncomfortable with beauty and the pursuit of it. It was perplexing that “beauty” was bestowed upon some and not others. Often beauty is equated with wealth and power. It all seemed random and unfair. The time and energy expended to make things perfect and beautiful seemed frivolous and wasteful.

I found perfection less interesting than individuality. Gaps between teeth, large eyes, shattered glass, cracks, and decay that develop over time made for more beautiful photographs.

I’ve seen the fleeting beauty of youth which is often unnoticed by those who have it and I realized that beauty was a gift given to everyone.

What I’ve learned from Andrew Jackson Downing, a 19th-century architect, is that beauty not only enriches our lives but raises our intellect and moral standards.

It connects us, inspires us, and creates community.


EATING WITH OUR EYES

Text by Zachariah Chanin

Our entire lives we are traveling on a journey through food and flavor, somewhere on the spectrum between super refined, thoughtful food and our favorite flavor of pork rinds. We utilize our senses to determine what we find fabulous or deplorable, even before we can walk and talk. At any given time, our senses can send a message to our brain, telling us that we do not like something solely based on sight or smell. How long did it take you to like green food as a child? A simple color can have a child refusing to eat their food under the assumption of a most certain demise of a single molecule of pesto sauce touching their palate. Most of us go on to have a reasonable outlook on food and are willing to sample new things with open-mindedness, but much like that brussel sprout that was kicked under the kitchen cabinet, that fear of trying new things is still there, buried somewhere in the subconscious dust. This is where eating with our eyes comes into play.

Seeing is believing and the first glance can be the catalyst of change to open the remaining senses to fully experience a plate of food. The eyes are the gateway to the stomach as well as the soul. Picture a beautiful loaf of bread, fresh from the oven, warm to the touch, rich in aroma, and crust still crackling. This loaf of bread has already satisfied three of our senses and now we cannot wait for the flavor and chew. When we examine a dish that is composed enticingly, we get excited to smell, taste, and eat this plate of food. The positive way we feel about the meal is passed on as a foundation for our other senses to build upon because we trust our initial feelings. This goes both ways of course. Not only must the food be beautiful, but the effort to make the food beautiful achieves a different kind of power for the consumer. This is achieved in many different manners ranging from love and passion to color, amounts and placement, negative space, down to whether there are an odd or even number of items.

Building in pops of color attracts us to a plate, just as it does a piece of art on the wall. Fields and farms are the canvas for every season, as we are provided a mind-boggling number of fruits, mushrooms, vegetables, and herbs to spice up a plate visually with almost any color you can think of; however, this is not always easily achieved. To build passionate plates of food, you must find people who are passionate about creating the best foods they can. These humans are found at farmers’ markets and farms sprinkled throughout the country and are one of the best natural resources we have. They are the protectors of heirloom crops that have been passed down through centuries. Here you will find vegetables of different shapes, sizes, colors, and distinct flavors that will open the possibilities of curating a color wheel to your plate. Cook, eat, and live with passion. Create beautiful things.


ART ON THE RADIO

Text by Lynne Berry Vallely

Domenico Ghirlandaio’s “Portrait of an Old Man and a Boy”

If you asked me which is my favorite painting, I would probably say Domenico Ghirlandaio’s “Portrait of an Old Man and a Boy”. It’s an unusual portrait, especially for its time – 1490 – in that the subjects are not posed facing the viewer. But I think it’s more than just a portrait. A man sits at a window but he is angled away from the window toward the viewer. We see his head, chest, and part of his upper right arm but just that much of him takes up almost half of the frame.

He has on a robe that is a soft, rich-looking bright red, and at the neck and chest, you can tell that it is fur-lined. He must be wealthy. He is not elderly but he is older. His hairline has receded a good bit. What hair he has is steel gray. He looks to be well-fed and quite solid, sort of like Spencer Tracy in his prime. He looks like a kind man and he gazes lovingly at the darling little boy who sits in his lap.

The little boy looks to be about three years old. We see the boy’s head, upper chest, left arm, and hand. He has on a hat and jumper of the same red over a black shirt. His hair is long, curly, and blonde. He puts his little hand trustingly onto the man’s chest and gazes up at him lovingly. It’s interesting – you can’t paint a gaze but the gaze between these two causes a strong but unseen diagonal line.

Ghirlandaio was a master of color and detail. It’s hard to imagine how he achieved such detail working in tempera on wood. We can see the man’s every hair and wrinkle, the boy’s every hair, his precious fingers, his perfect profile.

Oh, and one other thing. The man has an unusually large and grossly unattractive nose. Composition-wise, his nose is at the center of the painting, impossible to ignore.

Yet the little boy continues, down through the ages – over 500 years now – to gaze lovingly at the man. What is important to the boy is that he is being held gently and lovingly by someone he loves and trusts. The man’s love is solid, stable, and secure – like the granite hill that can be seen at a distance through the window. This little boy does not see anything unattractive in this man.

In my flippant moments, I hear that Temptations’ song, “Beauty’s only skin deep, yeah, yeah, yeah.” But seriously, to me, Ghirlandaio has simply, arrestingly, and stunningly achieved something that only great artists can achieve. He has painted something unseen that is much more important than a gaze. He has painted unconditional love.

I was fortunate to be able to see this painting with someone I love unconditionally. It hangs in the Louvre in Paris.

March 15, 2013, WLRH Sundial Writers Corner

Artwork and information from Lynne Berry’s Art on the Radio© segments on the Sundial Writer’s Corner on WLRH.


SOME REFLECTIONS ON BEAUTY

Text by Philosopher Annette Bryson

One of my favorite morning walks in Rome takes me to a spot in front of the Colosseum. If I’m out early enough, while standing on smooth, rounded stones that once formed part of the ancient Roman road, I can see the sun shining through a splendid structure built some two thousand years ago. And, when there’s the right sort of balance between the scene before me and what’s happening within me, I experience a feeling of plenitude, of utter satisfaction. This experience of beauty is one of those experiences that gives meaning to my life.

The ancient Greeks and Romans thought that beauty was an ultimate value, along with goodness and truth, and justice. As I gaze upon the beauty of Rome, I find myself inclined to agree that beauty is important—whether or not I can make sense of its being an “ultimate value.” How, though, does what I find beautiful relate to the ancient Romans who came before me? What if the architects of the Colosseum were able to travel two thousand years forward to my Rome? What would they think of the beauty before me, the beauty of this lopsided Colosseum, with parts that have fallen away or that have been carted off over a thousand or so years? For that matter, what would any resident of ancient Rome who might have stopped and gazed in wonder as the sun rose above some nolonger- standing glorious temple in the center of the city think of what I find beautiful in Rome?

The ancient Roman architect Vitruvius explained that we achieve architectural beauty “when the details of [a structure] are of a height suitable to their breadth, of a breadth suitable to their length; in a word, when everything has a symmetrical correspondence” or a “graceful semblance.” He agreed with Plato that beauty was harmony. What I take to be beautiful structures around Rome may very well not always meet this standard. Even more disturbingly, though, is that what I find beautiful is often something left behind by people now gone. The magnificent structures built and enjoyed by people from long ago are now often piles of rubble, their colors long faded— just as those people’s lives and what they cared about have faded. How can I find beauty in the remnants of these lives?

Part of Rome’s beauty arises from the mixing of things left behind by different groups of people at different times. This beauty is intimately connected with constant reminders of the evanescent nature of everything we create and everything we love. It reminds me that my life too will pass and that objects which inspire me as I experience their beauty will be gone one day.

Albert Camus worried that the evanescence of all of our experiences, our relationships, our loves, the beautiful objects we create, and our lives themselves renders human life meaningless. I’m not sure how to respond to this worry. Nonetheless, I return each morning to that spot in front of the Colosseum or head to another favorite spot, say, on the Pincian Hill looking out over the splendors of Rome, or stop for a coffee in front of the Pantheon, which has stood solemnly for the past two thousand years, or wander through Piazza Navona and gaze upon the magnificent seventeenth-century Bernini fountains. And, when I do, I find that, despite Camus’s worries, I experience an awareness of connection—with the past, or with the divine—and the sense of profound satisfaction I’ve described.

My experience of beauty is not of what was or what will be but of something that is. I am the one who experiences it, I, right now, rooted in a particular time and place and with no illusions of indestructibility. The splendor of a beautiful sunset is in no way diminished by my awareness of its evanescence. Why, then, should I think evanescence should give me a reason to question the meaningfulness of what I value, including the beauty around me? Its evanescence doesn’t change the fact that what’s central to my life includes what I care about now, what I live now, what I find beautiful now—and that will have tobe good enough.


The Definition of Beauty

by Painter Lavely Miller

As a visual artist, this is something I should have a fully articulated answer for, but I’m not sure that I do. I think the term “beauty” is an ephemeral, existential concept that probably has as many definitions as there are people in the world. I’ve never made a painting with the intent of creating something beautiful. I just paint what is there. I suppose what is there may occasionally strike someone as beautiful.


JOHN RUSSO ON BEAUTY

Interview with Photographer John Russo

As a photographer, I am always finding beauty in every subject.

RR: What part of your job do you enjoy the most?

Immortalizing my subjects through my camera. The ability to capture a moment in a person’s life and have them react to my work gives me the most pleasure.

RR: If you weren’t a photographer what would you do?

I always said I would be a park ranger in Northern California in the forest. I am drawn to nature and love being immersed in the natural world.

RR: What is your first memory of something beautiful?

Seeing my parents holding hands. The beauty of their love is ingrained in my mind.

RR: Can you create beauty?

Yes, you can create beauty in every aspect of your life. From telling someone you love them to helping a person going through a tough time. Beauty is not only a physical trait, it is an emotional feeling that empowers, motivates, and brings people together.

RR: Is there a person who has changed your idea of beauty?

A guy named Ken exemplifies the notion of being both beautiful on the inside and out. He is one of those unique individuals in the sense that he exudes the most positive energy and makes everyone feel special in his presence. To me that is beautiful.

RR: Have you ever seen something beautiful that you haven’t been able to capture in a photograph?

Yes, every day. But some things are better living in my mind than in a photograph. It’s those spontaneous moments in life, an elderly couple walking holding hands, the way the sky transforms before sunset, and the way the light changes throughout the day in my home, creating beams that illuminate different parts of the space.

RR: Does beauty inspire you? If so how does that inspiration end up manifesting itself in your life?

Yes, I am continually inspired by my perception of beauty by taking mental photographs of things I want to create, whether it be a piece of art, a design for my home, or a concept for a photo shoot.

RR: In your work has beauty impacted you?

Yes, it allows me to realize beauty goes much deeper than physical appearance.

RR: Can you define Beauty?

Beauty is anything that makes us happy. And happiness is the key to a beautiful life.

RR: Do you believe in universal beauty?

Yes everyone, regardless of where they weigh in on society’s beauty scale, has something about them that is beautiful.

RR: What do you want to be remembered for?

Someone who loved life passionately and was super grateful for each day.

RR: If you could only take one more photograph what would it be of?

It would be a photo of me hugging my mom & dad; I would give anything to have that moment again.


JUDITH CHAPMAN ON BEAUTY

Text by Actress Judith Chapman

In the early days of my career, my overly solicitous make-up artist would gush after my scenes, “OH, You look so beautiful!” “Okay” I’d reply, “BUT HOW WAS MY PERFORMANCE?!”

These days, I hear, “What a great performance!” I reply in my deepest Tallulah Bankhead voice “Yes, dahling, but HOW DO I LOOK?!”

Oh, the cruel passage of time in a town, in a business that demands perfection and youth. We gladly chase that perfection over the generations -- from cocaine to Keto -- until one soul-shattering day, you hear the words, “They just don’t want you anymore...”

So, a nip here, a tuck there, a shot of this, gladly buy the “Latest Beauty Breakthrough”. New cheeks, new nose, new tits, new ass, even a rejuvenated vagina...ANYTHING to buy more time...

Now don’t get me wrong...Botox is a Girl’s Best Friend...

Beyond that, well maybe a little neck lift.

I wanted to maintain a blank canvas so that I could transform into whatever character I was playing. Hard to do with chiclet teeth and perky Double D’s. But that’s my choice as a working actor. Beauty is in the eye of the beholder.

What do you behold when you look in the mirror?

Now that I am entering my ACT III, the mirror isn’t my best friend anymore.

My hair is a little grayer, my eyes a little weaker, and my face has a few more lines.

Somebody once said that wrinkles mean “you showed up for life.” I like that line, I’m accepting the lines...

I have no choice. HAH!

In this not-so-beautiful crazy mixed-up world, I look out on the wonders of nature. (Hopefully, we won’t destroy it.) I find beauty in a mother’s smile as she watches her child giggle; in sweet morning kisses; shared sunsets; hiking with a four-legged friend; seeing an older couple holding hands; autumn leaves falling to the ground; children squealing with delight in their Halloween costumes,

Simple Pleasures. Beautiful Fleeting Treasures.

I overheard the stunning actress Jacqueline Bisset say to a friend at a Cirque du Soleil performance something her mother had told her,

“You may not always be beautiful. Be happy to be attractive.”

I’ve remembered that beautiful advice all these years later.

What is beauty? Showing up for life!!! It is a Big Beautiful Banquet!


BEAUTY IS OUR GIFT

Text by Designer Carter McGuyer

We all recognize beauty. Not the superficial or contrived, but a unique standard that belongs to you and only you. Without being aware, we all started with a criterion of beauty somewhere along the way. My guess is that you were rather young when you were asked what your favorite color was? Your idea of beauty began to formulate the minute you started to view the world around you. The answer you gave to your favorite color was that gift of beauty taking shape.

Each of us experience so many influences that determine our definition of beauty. Our race, gender, religion, or age continuously shift what we find visually pleasing. Using the favorite color as an example, chances are that color has changed or evolved many times over. The notion of beauty is a true gift. It’s not something we are stuck with, locked into, or forever defined by.

The gift of beauty led me to design. A stool on the cover of a magazine changed everything. It was Philippe Stark’s WW Stool and at that time, I had never seen an object or product that was interesting, unique, and…beautiful. The beauty I found in that object is one of the main reasons I became a designer. For years now, I’ve been able to play a small role in advancing beauty through design. It’s part of that exercise, drawing from life’s ever-changing influences and experiences, we interject our interpretation of beauty. Using that unique standard of beautiful, now formulated for the moment…that is a gift.


SHYANN COOLEY

Photographer

Beauty is not always what it looks like in a photograph seen by others. Most of what people see when they look at my work is enhanced beauty, meaning it is added to in some way. I used to believe people looked like that naturally, with a slim jaw structure, pearl white teeth, perfect hair with the perfect body. The perspective of beauty alters in different ways for so many different people. I strive to highlight what most people want to hide, to show them that what they don’t think is beautiful can be seen as beauty.


THE GRAND CANYON

Text by Alex Godwin + Photographs by Robert Rausch

Robert Rausch and I shared a common goal to run what is called the rim-to-rim-to-rim at the Grand Canyon. It is about 49 miles in total distance and, as one would expect, a bit hilly. We decided to break up the adventure by spending the night at Phantom Ranch at the base of the canyon.

Robert, his son Robert Kelley, and I checked in at the El Tovar Hotel. This historic hotel is located at the edge of the South Rim and has a gorgeous view of the Grand Canyon. It is also very near the Bright Angel trailhead, which would be the trail we would follow on our return.

Initially, we planned to wake up at about 5:00 am and leave from the Kaibab trailhead. However, we learned that the temperature was going to be about 115 degrees. Robert had the idea to pack some headlamps and start the trip at about midnight. This way, we could avoid much of the heat. The bottom of the canyon is the hottest.

Robert Kelley drove us to the trailhead. Our Camelbacks were full and we packed peanuts, almonds, trail mix, and protein bars. The sky was dimly lit by an almost new moon. The stars were visible, as there were no lights other than our headlamps. From time to time, we’d turn off the lamps and just gaze at the stars framed by the canyon surrounding us. Along the way down, we were able to talk about a variety of meaningful subjects. As striking as the canyon is, the time we spent together bonded our friendship and I believe this is what I’ll remember best about the trip. One of our conversations was interrupted when we encountered our first snake sighting. Not long following, we spotted a scorpion. It was kind enough to stay in place while we took some pictures.

The journey down the South Rim on the Kaibab Trail to our first water stop at Phantom Ranch was about seven miles. To get there, we traversed down endless switchbacks for most of those miles. Eventually, we came to the Snake River and crossed by a bridge. Not long after are the campgrounds, mule corrals, and cabins at Phantom Ranch. Along the way down, we only saw two people. We saw their headlamps maybe 45 minutes before we eventually met. Because of the darkness and the terrain, we hiked our way down, which was a better plan. It allowed for more time to soak in the various sights of our surroundings. We could take more pictures and save energy for the ascent up the North Rim and the journey in the heat on the way back. We reached Phantom Ranch at about 3:20 am and got our first refill of water.

The next water station was Cottonwood which was about eight miles through the canyon. The terrain was mostly flat and dark most of the way. There was a stream that paralleled the trail for some of those miles and it was quite peaceful to enjoy the sound it made while we hiked in the darkness. Eventually, the darkness gave way to the sun and provided some magnificent coloring of light against the rocky walls of the canyon. We made it to Cottonwood at about 6:00 am and met a couple who were lone campers at the site.

From Cottonwood, we had about nine miles to go to reach the North Rim. It would be uphill until that point. The temperature was beginning to increase but certainly not yet at its peak. As the sun continued to rise the contrast changed and, we noticed a change in the coloring of the canyon from reds to yellow, blues, and greens.

As we continued to climb, I could feel my hip flexors beginning to get sore. This was likely a result of stepping up so many timber-hewn stairs and small erosion walls. I was getting slower and feeling some discomfort. With 1.7 miles until the North Rim, we met our first park ranger. His name was Don and he was a volunteer from Flagstaff, AZ. He said we were the first to pass his way and made us aware of the mules that we would see during our remaining ascent. He wished us well and we started the last bit of our climb. We did see the mules. It was a group of about eight people from Panama City Beach, FL. I enjoyed pulling off to the side of the trail to get a little rest. By now, I was anticipating soaking in the cold water stream once we got back to Phantom Ranch. It would be like taking an ice bath and surely what my hip flexors needed to recover. Robert was just ahead of me and I heard him say some really good news. “We are here!” Ah, finally. At this point, we were a little over 24 miles into our travels.

After some much-needed rest, we refilled our water supply and headed down the trail. On our return, we passed the same sights we saw earlier in the day; however, this time, the coloring looked completely different.

On pace, we reached Cottonwood for the second time during the day. We headed straight to the water pump and picnic table. After refilling, we took just a few moments to relax and take in the beauty and greatness of the canyon, as we had eight miles left.

To say it was hot would be an understatement. Fatigue had set in but we knew we could make it back safely. When we reached the section where the trail parallels the stream, it beckoned us to make a deviation and oblige our aching muscles and hot skin, but we elected to press on. Once we crossed a set of familiar bridges, we knew we were close. Trees started to appear instead of the familiar scrub brush. We were close.

We found cabin Number 3. The two upper bunks were not prepared and that indicated that we would be the only overnight guests in the cabin. We then headed straight to the stream and stayed submerged until just before 4:00. We each got a cup of lemonade at the canteen and sat at one of the picnic tables that served as an outdoor dining hall. Other guests had assembled to recant the tales of their adventures. We made our way back to the cabin for a two-hour nap and had no problem falling asleep. The alarm went off at 6:15 pm and we got our mostly dry clothes back on and headed to dinner. We each had stew, cornbread, a cookie, and more lemonade. It was delicious and so nice to have some hot food. After finishing, it was back to sleep with a 4:15 am start time in mind.

Morning came quickly and we were treated to eggs, sausage, pancakes, orange juice, and coffee. I needed the coffee.

We were to travel just over nine miles up the Bright Angel trail of the South Rim. Unlike the travel the previous day, there were several people on the trail. On one occasion, we surprised a young couple. The young lady had just pulled down her shorts to pee and we caught her midstream as we rounded a curve in the trail. We all four laughed about it.

We made it to the top by about 9:00 am. We headed back to the El Tovar for showers, a change of clothes, and a little relaxation before heading to the local Mexican restaurant for lunch and the promised pitcher of margaritas. I must say that the Grand Canyon is indescribably beautiful. Even Robert’s photos cant capture its overwhelming beauty. Our experience allowed us to see it under the light of the moon, at sunrise, and during the day. I won’t forget how the canyon walls changed colors based on the varying positions of the sun, and won’t forget the wildlife and the different types of vegetation along the journey. I’ll certainly cherish the friendship forged during the adventure.


WHAT IS OR ISN’T?

Text by Tyke Darlington + Photograph by Bruce Weber

What is it about a something, a someone, a well-organized compilation of words or musical notes, the fragrance that drifts from an unfolded blossom, or the sweet taste of a blackberry picked fresh, warmed by the sun at the height of its ripeness that gets the highly coveted stamp that forever labels it... BEAUTIFUL?

Beauty comes in many forms and more often than not we agree on that stamp when it’s given. But why? Where does that awareness of what “is” or “isn’t” come from? Some say it’s learned or is the product of the environment we live in. Others say it comes from within us and is as unique as we are individual. However it does come, is it not curious that the conclusion on which we settle always seems in concert with the world around us?

Diamonds and precious stones meticulously set in rare metals, magnificent cathedrals born into existence via complex mathematic algorithms, Mozart’s Symphony No. 41, the bust of Nefertiti believed to be created in 1345 B.C., or the breathtaking display of color that unfolds as the sun rises and then sets over the vast gorge of the Grand Canyon all take shape as our minds conjure up images and hear the sounds of these things that have survived throughout the centuries as evidence of such a thing as “universal beauty.”

Since the beginning of time, the human race has been chasing it. I wonder if beauty is recognized because of an internal longing for order manifested in its most perfect form? Paintings, sculpture, jewelry, fashion, architecture, and more recently photography have all been external expressions of an internal longing to create or preserve it. Today social media and its filters have magnified the obsession for personal beauty and youth and it seems the race to pursue it is now at warp speed. Maybe the question isn’t “what is” but why we are obsessed in the pursuit of it?

In every case or scenario, I believe beauty is the reflection of an intelligence that organized a system and process by which these things can be created and then absorbed into a conscious mind that can enjoy them. Could this internal longing for perfection in all forms be a signature of sorts inscribed within us by the one who originally created it? If so, then is our ability to recognize it, our obsession to chase it, our longing to find and preserve it, ultimately a quest within the human existence to find and know its author, an extraordinary and incomprehensible “Mind and Imagination?”


THE BEAUTY OF PAIN

by Robert Rausch

We lived down the street from Paul Brand and his family at The National Leprosarium in Carville, LA. I was young and didn’t know the impact that Dr. Paul Brand had on the medical world. The Brands had six, kids and a few of them would babysit my sister and me and take us to the pool to swim on hot Southern Louisiana days. They had a pet skunk, which I thought was cool. They had grown up in India and been places all around the world, as both of their parents were missionary doctors.

Dr. Paul Brand had a passion for people and especially people with the dreaded disease of leprosy. That led him to see problems as precious gifts, that others avoided. He especially appreciated the gift of pain.

The following are excerpts taken from:

Dr. Paul Brand & Philip Yancey, Fearfully and Wonderfully: The Marvel of Bearing God’s Image. InterVarsity Press (2019), p. 85, p 178, 179, 184, 187. [Reprinted by permission of the author]

I learned to see pain as a kind of language, the most effective language in mobilizing the body’s response to potential harm.

Daily, pain contributes to our quality of life, even in such a common activity as walking. A leprosy patient, with perfectly normal skin tissue on the soles of his feet, may return from a walk with foot ulcers. A healthy person who takes exactly the same walk will develop no blisters or ulcers. …

The slides of color-coded feet show that the way a healthy person puts feet to the ground changes radically from the first mile to the fifth mile. Perhaps at the beginning your great toe absorbs most of the stress; by the end of the walk your lateral toes and the lateral border of your foot will take over. Later the toe and heel will come down together. When you begin a really long hike, you will start off heel-toe, heel-toe. But when you return, you’ll be lifting your foot and setting it down as one unit—all these adjustments having been made subconsciously.

You do not make those shifts because of muscular fatigue. Rather, pain cells in your toes, heels, arches, and lateral bones have intermittently informed the brain, “Ease up a little. I need some rest.” You stride along oblivious since your brain assigns these functions to a subliminal control system that constantly monitors pain and pressure in every part of your body. A leprosy patient, having lost this incessant hum of intercellular conversation, will walk five miles without changing gait or shifting weigh. …

A limp amplifies the body’s response to pain. Out of orthopedic habit, I tend to stare impolitely at people who limp. What they may view as an embarrassing malfunction, I view as a wonderful adaptation. A limper’s body is compensating for damage to one leg by redirecting weight and pressure to the other, healthy leg. Every normal person limps occasionally. Sadly, leprosy patients do not limp, and their injured legs never get the rest needed for healing. …

Pain, so often viewed as an enemy, is actually the sensation most dedicated to keeping us healthy. If I had the power to choose one gift for my leprosy patients, I would choose the gift of pain. …

[F]or me the worst curse of painlessness: the painless person, or animal, loses a fundamental sense of self-unity.

A healthy Body feels the pain of its weakest parts.

I can read the health of a physical body by how well it listens to pain— after all, most of the diagnostic tools we use (fever, pulse, blood cell count) measure the body’s healing response. Analogously, the spiritual Body’s health depends on whether the strong parts attend to the weak.

By ignoring pain, we risk forfeiting the wonderful benefits of belonging to the Body. For a living organism is only as strong as its weakest part.

Note: The capital B in Body is referencing the Body of Christ. Thanks to Philip Yancey and Joannie Degnan Barth.


THE BEAUTY OF LOSS

Text by Audwin McGee

As a child I was blessed with an idyllic world to ponder, woods, a creek a small shop to make things, a wonderful family, aunts, uncles, and grandparents, all living close by. A mother and father that allowed me to roam, but the thing that shaped and haunted my life the most were the dogs,

My first dog was a Chichaua, a little black and white mongrel of a thing. He lived with us down on the creek we’d say, and I must admit I barely remember him due to my age being very young. I do remember he would ease down the gravel street in the afternoons to my mother’s grandparents about two blocks away, where Ma and Pap made their home, a small four-room house all whitewashed and neat. He eventually took up permanent residence there. I believe he knew he needed more to companion the elderly than to guard our yard from squirrels and chipmunks. I remember my great aunt coming to me one afternoon to explain that Mino had gone to be with Jesus due to crossing the road in front of an oncoming car. Her explanation was short but sweet. Because of this I only realized later what an impact this made on my little soul. It was the first heartache I can remember that stepped into my world, only leaving me with empty explanations. It’s not lost on me that my first real loss was a dog, and much to my dismay that first follows me to this day, I can’t bring myself to not remember.

There were many more to come, Old Butch the collie that would keep me at bay as a toddler, nosing me away from the creek in our back yard as my mother would hang wet clothes on the line. There was my dad’s brace of bird dogs, I can still see them, feel them, their terrible muscles all bulging and slick with sweat, all business and dedicated to their task. Many more similar situations as I pressed on brought a life lesson that was notched in my belt due to dogs. I learned about heartaches, as each failed me in their promise to live forever. I saw and experienced their raw sex acts, grotesque, moving, and unexplainable for a mere child. I whimpered at my dad’s disciplining of the pointers when they hunted for themselves instead of for him, the hurt in their sad orange eyes as they felt his disappointment. Looking back I can almost touch them again, still holding steadfast to my father’s promise that all animals go to heaven. And so it began, this long road of learning to befriend, love, and mourn over this thing called an animal that many times brought heart-wrenching beauty to my life in ways I can’t make myself forget.

Much later, after living in Africa for several years, I came home. Almost immediately I fell into a state of withdrawal, almost to the point of depression, for I dearly missed the freedom I experienced, but more than that, I missed the animals. I could hear the vervet monkeys running and clawing their way over the roof of my tent just before dawn on their way to the river for their first drink after a long night of evading the many things that would do them harm. My first encounter with an elephant bull nosing around my tent in the predawn light, seemingly fascinated at this new apparition pitched on his African sand before wading into a small stream for his morning bath. Beautiful then, but now those old docile beings run at the sight of humans, many caring the rounds from ak47s in their thick skin. Trust replaced by hate in souls as big as their massive bodies, that old familiar heartache would well up in me again and again as I came face-to-face with the ruthless bloodletting of the professional poacher. Often after coming across the rotting mutating carcasses of these giants, I would pause knowing these were part of a family unit the survivors feeling the same loss as myself.

One evening driving and returning to our main camp, I encountered a dead wild dog on the two-track we called a road. On close inspection,I found he had been mutilated. His lips and ears were cut away and were on their way to be dried and sold as a medicinal concoction, the same as the tusks from the elephant, the skulls of lions and leopards, and the scales of pangolins all smuggled away in sea containers to the lucrative black market of China. I thought of one pack of our African wild dogs that lived on the Lombize River where the water recedes in the dry months to a sand bottom. One spot however always held a small pool under a high bank in the river where it stretched out in either direction, this vantage point gave the pack a long look in either direction for possible prey. Here this gnarly bunch would lay up during the heat of the day and I could regularly find them there rolling in the mud, cooling down after the morning hunt. I would pause the Landcruiser and let out a little bark which would bring several hesitant answers and after so long this routine became accepted. They become very comfortable with the sound of the Diesel engine and this long-haired bearded human seemingly trying his best to communicate.

One early morning on my way out of the bush, I encountered this pack on the two-track and slowly rolled to a stop. In front of me at 30, 40 ft lay 7 or 8 dogs, while off to either side stood several more. I left the engine running and gave my little bark which was answered by several. With the dogs showing no sign of leaving I sat there for many minutes just soaking up the scene when I noticed far in the back two females standing rather sheepishly to one side of the sand road. As I watched, one female kept going and coming in and out of the bush, and after several trips she slowly, while looking back, brought out from behind her a gaggle of month-old pups. She lay on her back while several nursed and the rest played or smelled after other family members. After she was finished showing them off, she led them away. Slowly one by one, the rest, some often turning to give me a last glance, merged into the mimbo scrub that makes up the majority of the bush forest of Mozambique. I wondered if the wild dog on the road that night could have been a part of this pack, regardless I knew I would miss him. In Africa, especially in and around the remote Nissan region, life and death are soul mates. Elephants raid the crops of the indigenous people, often killing a villager trying to save his livelihood. Lions, and hyenas devouring more than just their natural prey. Today lions on the Rovuma River along the northern border of Mozambique and Tanzania are known, as man-eaters. Legend and science seem to point to the fact that the Rouvma having been the major slave route to the interior at the time of Livingston offered easy prey as many of the enslaved that traveled this route, having become incapacitated by sickness or losing the will to continue, would be abandoned and were often eaten by lions. Over the years the lions became familiar with human flesh and this fetish has been passed down over time to the present day, even through genetics, some say. Animals mostly have their way in Africa. We look upon them as beautiful creatures to admire and experience, but we chip away at this beauty by simply intruding a bit just to take a photo. Still at this point, if it weren’t for the intrusion and efforts of some, there would be none to see. And so we progress and continue in ignorance, taking up their space and ruining their beauty.

Man can teach animals many things, good and bad. Animals can teach us as well, we just need to listen. Upon returning from Africa I became aware of the documented problem with feral pigs here in our area and how they reproduce in such numbers so rapidly that they have become a major nuisance to our local farmers, especially in an area bordering the Tennessee River as it cuts through our county. Friends of mine had organized packs of hounds to hunt this animal. The desire for excitement and to be back in the woods set me on a course to do the same. My pack consisted of Pit Bulls, Mastiffs, Staghounds, Airedales, Jagdterriers, (German Hunt Terriers), Plott Hounds, and Crosses. In the early years of this endeavor, it was a release for me, the tracking, baying, and catching of these beasts, highly intelligent but dangerous. Later, what seemed a beautiful thing that eased the depression turned on me. I had lost dogs to the hogs and with each one, I took a step back into that melancholic realm of sad bewilderment. I knew I had lost the desire when my old pit bull brought me, one by one, two, week-old piglets whose mom had fled in lieu of facing my dogs. I tucked them in my hunting coat pockets, took them to the farm, raised them as pets, and at a point returned them to the woods they came from. I was done, I sold and gave away to other dog men all but a few of my hounds. The rest will live with me till we all pass. As I look into their eyes I’m reminded of the struggles deep in some dark bottom, massive trees blocking the moonlight there amongst the briars and privet, the loud chaos surrounding us. Men, dogs, pigs, all together locked in that crazy dance that was so irreverently beautiful. Of the utter selfless drive and devotion to me that my dogs proved, I can only say I was undeserving, thus another layer to my conundrum. The blood in their veins, that I had bred and crossed to create still yearned for a good chase, for a mouth full of flesh, to smell those earthy scents, and I knew that they would rather die hunting for me than live a peaceful life as a pet. But here we are, my pets and I, dreaming of life in the woods, but too saddened with our losses to enter that beautiful chaotic world again. An old Airedale man, Henry Johnson, a long-gone good friend and breeder of the Airedales my dogs came from once told me, “A dog will surely break your heart, one way or another.” First hand I know it to be true.

So I found myself in the Emirates, Dubai, and then Abu Dabi. Leaving the airport with a good friend, along with two falcons perched on the back seat of the land Cruser we drove into the desert and after several monumental dinners sitting on the floor eating baby camel and other delicacies, the house was interrupted by one of the trainers my friend employed from Argentina. We were summoned to the stables, a great vast building full of paddocks and rooms for anything that would involve a horse’s well-being. The news was that an expensive mare had colic and was down. The vets were in favor of euthanizing her, but my friend would not permit it. I’m not sure of the reasoning, possibly an Islamic belief that everything living should be afforded its death within its terms. I will never know, for my Muslim friend seemed very staunch in his conviction, and I have never breached the subject since, but on this beautiful moon-covered night we all helped her stand and walk as we made our way into the dunes surrounding the complex. There on a bit of a rise, we stopped as a shallow grave had been prepared, the sand still warm from the sunlight of the day. Again and again, the vet asked to put her down, but my friend wouldn’t have it. She laid herself down on her side in that shallow pit, her labored breathing the only thing audible in the late night. We waited, on into the night we waited. Little was said and the moon passed away and the stars showed in the sub-Saharan heavens. The southern Cross cut its way forth between other stars and a soft wind began. We waited and speaking Arabic the others began to cover over the horse with the warm sand and soon there was nothing to see except her lovely nostrils, her breath only slightly disturbing the sand around them. On it went till there was no more breath to breathe, then we covered her and she was as if she had never been. My heart hung at a low, knowing this beautifully sad memory would haunt me along with so many others.

So now a bit past mid-life this bag of burdens goes with me. I still wake from dreams searching for a lost hound that I never find, his voice carrying through the swamps. I open drawers in cabinets and find leftover bottles of dog medication, their names neatly typed on the prescription. I look longingly at the board that houses the nails and the collars hanging from them, the collars I gently removed from a friend long gone, their brass nameplates crusted and tarnished. Deep somewhere in my soul, memories linger of each, their traits good and bad listed somewhere there for me to contemplate. And contemplate I do, much too much the more time passes. Beauty and sadness, what a pair, holding hands on their walks through the glomming of the hereafter and following close behind, the souls of those animals long gone, lingering there always, reminding us of our beautiful losses.


FOUND OBJECT IKEBANA

Beauty in Everyday Life

Text + Photography by Abraham Rowe

Simply put, Ikebana is the Japanese art of arranging flowers. A centuries-old art form in which humanity and nature are brought together. In traditional Ikebana, there are many rules and coded meanings. With this project, I took some basics of the practice and let objects found on daily walks, along with seasonal blooms, branches, and weeds, guide the construction of a piece. Some pieces came together within a matter of minutes, others months until the complementary pieces were found. These found objects Ikebana are meditations; exercises to seek beauty in the mundane and to create thought, attention, and balance from discarded, ignored, or lost objects.

Beauty is something that can be created and destroyed, but it is also something that exists all around us all the time in many forms. By looking, seeking, creating, and appreciating, we can find beauty in the mundane.


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Issue 1 - Water